“CAME TO MINNEAPOLIS TO ENFORCE THE LAW — OR SO THEIR STORY GOES.” Bruce Springsteen surprise-released “Streets of Minneapolis,” a raw protest song written, recorded, and shared within days of the fatal shootings of Alex Pretti and Renee Good. Dedicated to Minneapolis and “our innocent immigrant neighbors,” the track addresses fear, state violence, and grief without polish or distance. Springsteen said he kept the first full take — flaws and all — because “If it sounds clean, it’s a lie,” turning the song into a stark document of the moment rather than a nostalgic release.

bruce springsteen

Singer says song is in response to ‘state terror’ visiting city, painting image of unrest due to ‘King Trump’s private army’

Bruce Springsteen has released a new song dedicated to Minnesota’s largest city as a response to “the state terror being visited on the city of Minneapolis” and the recent killings of Renee Good and Alex Pretti by federal immigration agents in the city.

Bruce Springsteen releases anti-ICE protest song: 'Streets of Minneapolis'  • Minnesota Reformer

In a message shared on social media, Springsteen explained: “I wrote this song on Saturday, recorded it yesterday and released it to you today in response to the state terror being visited on the city of Minneapolis. It’s dedicated to the people of Minneapolis, our innocent immigrant neighbors and in memory of Alex Pretti and Renee Good. Stay free.”

Streets of Minneapolis, a new song from Bruce Springsteen posted on the singer’s YouTube channel on Wednesday.

The song’s lyrics paint a picture of unrest, noting how “a city aflame fought fire and ice ’neath an occupier’s boots”, a force Springsteen identifies as “King Trump’s private army from the DHS”.

A particularly somber moment comes when Springsteen honors the victims directly, singing: “There were bloody footprints / Where mercy should have stood / And two dead left to die on snow-filled streets / Alex Pretti and Renee Good.”

Political commentary has long been a part of Springsteen’s work and public persona. Earlier this month, he condemned the administration’s “Gestapo tactics” related to an increased presence of immigration officers during a concert, warning that the nation’s founding principles “have never been as endangered as they are right now”.

Bruce Springsteen Releases Anti-ICE Song, 'Streets of Minneapolis'

At the performance in his home state of New Jersey, Springsteen also paid tribute to Renee Good by dedicating his 1978 song The Promised Land to the 37-year-old woman who was fatally shot by an ICE officer in Minnesota.

The musician has been a critic of Donald Trump since before his first term, telling a London audience in October 2016 (a month before Trump won the presidential election for the first time): “It’s a terrible thing that’s happening in the States. He’s undermining the entire democratic tradition.”

At a show in May in the UK, he said: “In my country, they’re taking sadistic pleasure in the pain they inflict on loyal American workers. They’re rolling back historic civil rights legislation that led to a more just and plural society. They are abandoning our great allies and siding with dictators against those struggling for their freedom.”

The US president responded to Springsteen’s remarks by calling the Rock and Roll Hall of Fame member “highly overrated”, “not a talented guy” and a “pushy, obnoxious jerk”.

 

0 Shares:
Leave a Reply

Your email address will not be published. Required fields are marked *

You May Also Like
steven-tyler
Read More

Steven Tyler didn’t just walk onto The Late Show with David Letterman — he stormed it like a rock star crashing a polite dinner party, scarf-draped mic stand in one hand, that wild grin lighting up the studio before he even said a word; Letterman leaned back in mock disbelief as Tyler’s gravel-soaked laugh filled the room, and the audience roared like they were at an Aerosmith gig rather than a talk show; the interview was part confession, part chaos, with Tyler spinning stories about near-death nights and rock ’n’ roll miracles while Dave tried, and hilariously failed, to keep control; critics later called it “the night late-night TV turned into a stadium,” and they weren’t wrong — because for twenty minutes, Steven Tyler didn’t just sit on a couch, he detonated it, proving once again that wherever he goes, the show bends to his madness.

Steven Tyler Turns Letterman’s Studio Into a Rock Arena Steven Tyler didn’t just walk onto The Late Show with…
GeorgeHarrison
Read More

On what would have been George Harrison’s 83rd birthday, Dhani Harrison has chosen this very day to release a song his father once intended to hold back for a birthday moment — a deeply personal track shaped during the sessions for his final recordings. It was never meant for charts or headlines, but for meaning, for timing, and for something quietly symbolic. For years, it remained within the closest circle. And now, on the exact date George once envisioned, the music finally arrives — not as a comeback, but as a message carried forward through time. Listen below — because this release feels less like a debut… and more like something that was always meant to happen today. 👇👇

On what would have been George Harrison’s 83rd birthday, Dhani Harrison has chosen to release a song his…