Bob Dylan turned back the clock on Saturday night, delivering a Farm Aid performance that felt nothing short of legendary. Taking the stage at Huntington Bank Stadium in Minneapolis for the festival’s 40th anniversary, Dylan kept it raw and timeless with a five-song set pulled entirely from his Sixties catalog, including classics like “All Along the Watchtower” and “Don’t Think Twice, It’s All Right.” The moment carried heavy meaning—four decades after his off-the-cuff words at Live Aid sparked Willie Nelson, Neil Young, and John Mellencamp to create the very first Farm Aid, Dylan himself stood center stage once again. It wasn’t just a performance; it was a full-circle moment, a reminder of where it all began, and proof that Dylan’s fire still burns just as fiercely today.

Bob dylan
His five-song performance featured exclusively songs from the Sixties, including “All Along the Watchtower” and “Don’t Think Twice, It’s All Right”
MINNEAPOLIS, MINNESOTA - SEPTEMBER 20: Bob Dylan performs in concert during the 40th Farm Aid at Huntington Bank Stadium on September 20, 2025 in Minneapolis, Minnesota. (Photo by Gary Miller/Getty Images)

Forty years ago, Bob Dylan‘s impromptu comments at Live Aid inspired Willie Nelson, Neil Young, and John Mellencamp to stage the original Farm Aid in Champaign, Illinois. And on Saturday night, Bob Dylan returned to the Farm Aid stage to celebrate the event’s 40th anniversary at Huntington Bank Stadium in Minneapolis, Minnesota.

Dylan was added to the lineup just days before the event, and questions swirled about his appearance until the minute he took the stage. Was he going to perform with his regular road band or repeat his 2023 surprise Farm Aid set by playing with 3/5th of the Heartbreakers? Would he hide himself from the audience as he’s done at recent Outlaw Music Festival shows or actually take off his hoodie and reveal his face to the crowd? Would he let the screens project his set to the entire stadium or force everyone to squint or break out binoculars? And would he let the livestream share his performance with a global audience online?

He wound up wearing the hoodie, though not pulled as tightly around his face as it has been at recent shows, and he agreed to both the projection screens and the livestream. There weren’t closeups, the stage was pretty dark, and much of the stadium audience had a hard time seeing him clearly, but these were major concessions given his history. Very few Never Ending Tour shows have been professionally filmed like this, let alone broadcast on the Internet.

The set was a truncated version of his Outlaw show featuring “All Along The Watchtower,” Bo Diddley’s “I Can Tell,” “To Ramona,” “Highway 61 Revisited” and “Don’t Think Twice, It’s All Right.” Every single song dates from the Sixties, even the Bo Diddley cover.

Unlike his appearances at Farm Aid in 1985 and 2023, Dylan didn’t do the obvious move and play “Maggie’s Farm.” Earlier in the night, however, Margo Price performed it with Billy Strings and Jesse Welles.

Dylan, Billy Strings, Jesse Welles, and Margo Price were part of a stacked Farm Aid bill that also included Kenny Chesney, Waxahatchee, Nathaniel Rateliff & the Night Sweats, Steve Earle, Lukas Nelson, and Wynonna Judd in addition to board members Neil Young, John Mellencamp, and Willie Nelson.

Neil Young came out after Dylan and played a politically-charged set that opened with his anti-Trump screed “Big Crime” before ripping through “Rockin’ In The Free World,” “Long Walk Home,” “Be The Rain,” “Southern Man,” “Hey Hey, My My (Into The Black),” and “Old Man.”

As always, Willie Nelson closed out the show with a set of classics. Nearly every guest from throughout the day came out for “Will the Circle Be Unbroken?” “It’s Hard To Be Humble,” and “I’ll Fly Away.” Unsurprisingly, Bob Dylan was the lone holdout.

 

0 Shares:
Leave a Reply

Your email address will not be published. Required fields are marked *

You May Also Like
carrie
Read More

AMERICAN IDOL COLLIDES PAST AND FUTURE — AND CARRIE UNDERWOOD’S EMOTIONAL REACTION SAID EVERYTHING. As American Idol brought familiar faces and fragile dreams back onto the same stage, the moment quietly revolved around Carrie Underwood, whose composure visibly wavered as Breanna Nix returned carrying unfinished business and a 15-year-old contestant stood on the edge of a brutal reality no one that young should have to face. Carrie leaned forward, eyes glassy, listening with the kind of attention that comes from memory — not judgment — as if she could feel the weight of both journeys at once. Those watching noticed the shift immediately: her smile softened, her voice dropped, and for a brief stretch she said nothing at all, absorbing the performance with an empathy shaped by her own path from hopeful teenager to global star. When she finally spoke, it wasn’t as a judge delivering critique, but as someone recognizing how thin the line is between promise and heartbreak, between coming back stronger and being forced to grow up too fast. In that quiet exchange, Idol wasn’t about nostalgia or competition — it became about Carrie seeing herself in front of her, and the unmistakable ache of knowing exactly what that stage can give… and what it can take.

American Idol Blends Past And Future As Breanna Nix Returns And A 15-Year-Old Faces A Brutal Reality American…
CLIFF Richard
Read More

“LONDON. ONE MIC. A VOICE THAT GREW UP WITH A NATION.” Under the soft lights at the Royal Albert Hall, Cliff Richard stood alone, fingers resting lightly on the microphone. He began “We Don’t Talk Anymore” slower than usual. Softer. Then, halfway through, his voice caught. Just for a second. Not from strain — from time. Decades rushed in. Old faces. Old stages. People who once sang along and never made it this far. He paused. The orchestra stayed silent. From the balconies, a single voice finished the line. Then another. Soon the hall was singing to him. Cliff smiled gently, eyes shining. For once, he wasn’t leading the song. He was being carried by it.

Under the soft, amber lights of the Royal Albert Hall, Cliff Richard stood alone at center stage. No…
Il Volo
Read More

No one saw this collab coming — and that’s exactly why it hit so hard. Il Volo stepping in alongside a surprise female vocalist for their cover of “Little Drummer Boy” turned out to be pure holiday magic. Four powerful voices blended into a sound that felt rich, emotional, and almost cinematic, sending chills straight down listeners’ spines from the very first harmony. By the time the last note faded, fans weren’t just applauding — they were already in the comments begging for this lineup to become a real, ongoing collaboration. Because some performances don’t just sound good… they make you wish there was more waiting on a playlist somewhere.

Il Volo created a memorable holiday moment when they teamed up with Jackie Evancho for a live performance…