Tonight in 1994, time seemed to fold in on itself.

On a stage built to honor legends, Paul McCartney stood alone and inducted John Lennon into the Rock and Roll Hall of Fame — not as a former bandmate, not as a public figure, but as someone speaking directly to a friend who was no longer there. The room felt quieter than usual, as if everyone sensed they were about to witness something deeply personal rather than ceremonial.
Matching the mood of reconciliation and memory, Yoko Ono quietly handed Paul a collection of John’s cassette demos — fragile recordings of songs that had never finished their journey: Free As a Bird, Real Love, Grow Old with Me, and Now and Then. Those tapes would soon become the foundation for the final Beatles recordings — music born not from ambition, but from closure.
Paul’s speech unfolded like a letter written across decades.
“Dear John,” he began — and instantly, the distance between past and present dissolved.
He spoke of Woolton village fête, that sunlit summer day when everything unknowingly began. Paul remembered walking in and seeing John onstage, singing Come Go with Me by the Del-Vikings — except John didn’t know the words. So he invented them.
“Come go with me to the penitentiary,” Paul recalled with a smile.
“It’s not in the lyrics.”

The crowd laughed softly, but beneath it was recognition: this was who John was — fearless, playful, unafraid to bend reality to his will.
Paul drifted back to their earliest days of songwriting, sitting in his father’s house, experimenting with music and mischief. They smoked Typhoo tea leaves in a pipe his dad kept in a drawer — a harmless ritual that did almost nothing, except signal the beginning of a road neither of them yet understood.
“We wanted to be famous,” Paul admitted simply.
He remembered visits to Julia Lennon’s house, speaking tenderly of John’s mother — her beauty, her long red hair, her ukulele. Paul described how he used to call out guitar chords for John, who was still thinking in ukulele shapes. It was a small detail, but it revealed how intertwined their learning had been — one filling in the gaps for the other.
Then came the story of John’s 21st birthday. A £100 gift from a well-off relative sparked a bold idea: Spain. They hitchhiked out of Liverpool, made it as far as Paris, and stayed there for a week. Somewhere along the way, they got their hair cut by a man named Jürgen — a casual decision that would unknowingly become the Beatle haircut, a symbol that would circle the globe.
As Paul spoke, it became clear this wasn’t nostalgia for fame.
It was gratitude for beginnings.

In that moment, the Hall of Fame induction stopped being about history and started being about friendship — imperfect, complicated, unfinished. The demos Yoko handed over weren’t just songs. They were bridges. Ways to keep a conversation going that had been cut short.
Paul didn’t try to summarize John’s greatness.
He remembered him.
And in doing so, he reminded everyone in the room that before The Beatles were icons, they were just two boys who wanted to be famous — and somehow changed the world instead.