Ashley McBryde Shocks Fans With Surprise Acoustic Performance During Coffee Tour at Chief’s on Broadway in Nashville

Ashley McBryde
Aaron Ryan/Whiskey Riff

Pretty special surprise for a group of fans.

Ashley McBryde dropped her newest single, “What If We Don’t,” this morning, the first release from an as-of-yet-unannounced upcoming album. And last night, she thrilled fans in Nashville as she resumed her residency at Chief’s on Broadway with a special acoustic show, appropriately called Just Me & My Shadow.

But this morning, Ashley had another surprise in store for a group of lucky fans.

As the tour group made its way through Chief’s for their popular Coffee Tour, which gives Church Choir members a behind the scenes look at the House That Church Built and all the hidden details in the building, Ashley was waiting for them on the fifth floor in her Redemption bar.

Ashley was waiting for the group, guitar in hand and performing “One Night Standards” as the shocked tour group walked in:

(You may need to disable your ad blocker if you can’t see the video).

 

And from there, she chatted with the group, most of whom were here to attend Ashley’s residency show tonight, and even took some song requests:

 

While the new album hasn’t officially been announced, Ashley shared a video recently of her tearful reaction when she first heard it, and it sounds like it’s going to be a special one.

She explained that even though she’s written and been through every stage of the process with these songs, it still felt brand new and had her in tears, and she said that it was like she had never heard the music, or the artist:

“I just listened to ‘—‘ for the first time. It’s a rough mix, it’s not even mixed. And I had just listened to ‘Hand Me Downs,’ and I wrote the damn thing, me and Jessie Jo and Laura, I knew what was in that song.

And then I listened to it, and I kept staring at the dash, like, why would you do that to me? I’ve been here for every note, every syllable, every breathe of this record.

And I’m listening to the mixes and it’s like I’ve never heard this record. It’s like I’ve never heard this artist.”

 

It’s raw, vulnerable, and real, which is exactly what I love about Ashley and her music – and her bar.

Redemption opened back in August inside Chief’s, and is unique on Broadway not only in that it was designed by Ashley and contains all kinds of Easter eggs throughout the floor, but because it’s a non-alcoholic focused bar for those who want what she calls a “safe space” to get away from the pressure to drink in downtown Nashville.

If you haven’t been to Nashville to check out Chief’s or Redemption, it’s pretty much the only place you’ll find me on Broadway these days. Far from just another “artist bar,” Chief’s is one of the few ACTUALLY owned by the artist with their name on the sign, and every inch of the space holds a story from Eric Church’s life and career.

Whether it’s the “two pink lions” wallpaper that was inspired by his mother’s misunderstanding of his single “Two Pink Lines,” or the original neon sign from the Fiddle & Steel Guitar Bar, the now-shuttered bar in Printer’s Alley where Church found himself playing when Broadway wouldn’t welcome him, it’s impossible to catch all of the details that Church put into the bar.

And Redemption is much the same way: There’s artwork inspired by Ashley’s tattoos and bras on the wall (a nod to her fan-favorite single “Brenda Put Your Bra On”).

Chief’s is also one of the only (if not THE only) bar on Broadway where you can hear artists and songwriters perform their original music, instead of the obligatory “Wagon Wheel” and Journey covers every hour. It’s a bar that was truly designed for music fans, by one of the biggest fans and torchbearers of songwriting and artistry.

If you’re an Eric Church or an Ashley McBryde fan it’s obviously a must-stop in Nashville, but if you’re a fan of original music and want a break from the cover songs you find in every other bar, it’s pretty much your only option on Broadway.

And if you get lucky, you might even get a surprise and see Ashley hanging out in her own bar.

0 Shares:
Leave a Reply

Your email address will not be published. Required fields are marked *

You May Also Like
Beatles-on-the-Rooftop
Read More

“JEALOUS TO THE POINT OF LOSING IT” OVER PAUL McCARTNEY? — A JOHN LENNON CONFIDANT’S CLAIM HAS BEATLES FANS STUNNED 😳 A close friend of Lennon says that in the post-Beatles years—while Paul was packing stadiums with Wings and stacking up mega-hits—John privately wrestled with what he called “insane jealousy.” What makes it even more shocking is the contrast: behind the scenes, Lennon reportedly felt the world was embracing Paul’s “genius”… yet publicly, he brushed it off like he didn’t care what his former bandmates were doing. One man saying “I’m not interested,” while secretly feeling left behind by the very story he helped create. So was it jealousy over fame—or something deeper: pride, hurt, and the fear of being forgotten?

John Lennon’s Close Friend Recalls His “Insane Jealousy” Over Paul McCartney in the Post-Beatles Years The sheer nature…
Dolly Parton
Read More

When Dolly Parton wrote one of her most quietly powerful songs in the mid-1970s, she was standing at a personal crossroads—emotionally exhausted, unsure of what lay ahead, and desperately in need of reassurance. What emerged wasn’t just music. It was a private prayer set to melody, a promise whispered to herself that no matter how dark the night became, morning—and hope—would come again. For Dolly, it wasn’t simply a creative breakthrough. It was survival.

Dolly Parton Teased A New Project On January 12 On Monday, January 12th,  teased a new project on social…
Paul McCartney
Read More

PAUL McCARTNEY just did something you don’t see every day: he reposted a “Let It Be” cover — sung by a 3-year-old. Angelica Nero simply stood there, her tiny voice filled with innocence and real feeling, singing as if the song was made for that exact moment. And when Sir Paul saw it, he wrote: “How can someone so small deliver something so powerful? Just beautiful, Angelica!” This wasn’t viral just because it was cute. It hit because she somehow captured the soul of “Let It Be” — calm, hope, and that gentle kind of comfort the world always needs more of.

3-year-old Angelica Nero posted a video of herself singing “Let It Be” on social media When 3-year-old Angelica…
courtney_hadwin
Read More

“There Are Goosebumps Everywhere!” in Julie Miles’ Vocal Class, Courtney Hadwin Dazzles With a Stripped-Down Rendition of “Pretty Little Thing.” Fans Never Anticipated the Comeback of Courtney Hadwin’s Sheer Power. The Rock-Soul Prodigy SAT Down and Unleashed a Haunting, Stripped-Down Version of Her Popular Original Song, Pretty Little Thing, With the Help of Vocal Coach Julie Miles. The Room Changed as Soon as the First Note Was Played; There Were Thrills, Goosebumps, and an Almost Supernatural Spirit in the Air. It Was More Than Simply a Voice Class; It Was Like Watching History Relive Itself, Reverberating With the Same Fervor That First Made Her Famous Throughout the World. “Release the Studio Version Now — the World Needs This Song Again!” Was the One Demand That Fans Who Watched Couldn’t Keep Quiet About in Their Comments.

Courtney Hadwin took the mic for a stripped-down performance of her viral original song “Pretty Little Thing” during…