Paul McCartney returned to Studio 8H — and closed the night in the most fitting way. At SNL 50: The Anniversary Special, the 82-year-old Beatle surprised the audience by performing a trio of songs from Abbey Road, ending with the line fans know by heart: “And in the end, the love you take is equal to the love you make.” It wasn’t flashy. It was timeless. And it felt like a full-circle moment.

  • byJasmin
  • December 20, 2025
  • 1 minute read
paul-mccartney
0
Shares
0
0
0
0
paul mccartney
Paul McCartney.Credit :  NBC

Paul McCartney is back at Studio 8H.

The Beatles member made an appearance at the end of the SNL 50: The Anniversary Special on Sunday, Feb. 16. McCartney, 82, played a surprise show at the Bowery Ballroom days before in lower Manhattan. On Sunday, he closed out the star-studded episode with Beatles classics.

McCartney performed songs exclusively from Abbey Road. He sang a dreamy version of “Golden Slumbers” before transitioning to the ballad “Carry That Weight.”

The crowd got on their feet when McCartney aptly switched to “The End” to wrap up his set, clapping along to the final song of the album, which was composed by McCartney.

“And in the end, the love you take is equal to the love you make,” McCartney crooned.

paul mccartney
Paul McCartney in 2025. NBC
Inside Paul McCartney’s Ultra-Intimate Surprise Show at N.Y.C.’s Bowery Ballroom: A Night of Rock, Romance and Screams

McCartney previously appeared on Saturday Night Live eight times. Though he has never hosted, the Beatle was a musical guest in 1980, 1993, 2010 and 2012. He also made cameos in 2006, 2013 and 2015. McCartney also was part of the sketch show’s 40th anniversary special 10 years ago.

Meanwhile, Bill Murray, Dana Carvey and Alan Cumming portrayed McCartney in various sketches through the years. Even the rock legend isn’t safe from a cheeky impersonation.

SATURDAY NIGHT LIVE -- Episode 13-- Pictured: (l-r) Chris Farley, Paul McCartney during 'The Chris Farley Show' skit on February 13, 1983
0 Shares:
Share 0
Tweet 0
Pin it 0

Leave a Reply

Your email address will not be published. Required fields are marked *

— Previous article

The Interview That Broke Barry Gibb: In a rare TV moment, the Bee Gees icon couldn’t hold back his tears, finally exposing a lifetime of buried grief — a raw confession that stunned viewers worldwide.

Next article —

At 51, Barry Gibb’s Son FINALLY Confirms The Rumors

You May Also Like
BBlog

THE LAST SONG HE WROTE WASN’T FOR THE CHARTS. IT WAS FOR HER. They say Toby Keith penned one final masterpiece before he passed. But you won’t find it on Spotify. You won’t hear it on the radio. His wife, Tricia, kept it. Not out of selfishness, but out of sanctity. In a life lived under the blinding stadium lights, she was his quiet harbor for nearly 40 years. That song is the final conversation between two hearts that beat as one—a melody too intimate for the world to judge. It brings us back to the promise he once sang: “Forever hasn’t got here yet.” Perhaps, in that hidden song, he finally told her that their forever had truly arrived. It is a beautiful reminder that the deepest love doesn’t need an audience to be real; it just needs to be held close, in the silence where only two people understand.

Please scroll down for the music video. It is at the end of the article! 👇👇 Video  …
paul
Read More
  • 1 minute read
BBlog

When Paul McCartney began singing “Now and Then,” the stadium didn’t erupt. It went silent. This was the song no one ever expected to hear live — the final Beatles recording, stitched together across decades. As John Lennon’s voice floated through the speakers and archival images flickered behind the stage, Paul didn’t perform it so much as carry it. Carefully. Almost reverently.

Paul McCartney performs last Beatles song Now and Then live in emotional footage. Sir Paul McCartney left fans…
CLIFF Richard
Read More
  • 2 minute read
BBlog

“LONDON. ONE MIC. A VOICE THAT GREW UP WITH A NATION.” Under the soft lights at the Royal Albert Hall, Cliff Richard stood alone, fingers resting lightly on the microphone. He began “We Don’t Talk Anymore” slower than usual. Softer. Then, halfway through, his voice caught. Just for a second. Not from strain — from time. Decades rushed in. Old faces. Old stages. People who once sang along and never made it this far. He paused. The orchestra stayed silent. From the balconies, a single voice finished the line. Then another. Soon the hall was singing to him. Cliff smiled gently, eyes shining. For once, he wasn’t leading the song. He was being carried by it.

Under the soft, amber lights of the Royal Albert Hall, Cliff Richard stood alone at center stage. No…