“Sir Tom Jones Just Stole The Show — And Our Hearts.” At The National Television Awards, Drama Reigned As The Legendary Singer Snatched The Mic From Dermot O’Leary, Igniting The Stage With A Performance So Electrifying, So Soul-Piercing, That The Crowd Couldn’t Breathe. Every Note, Every Gesture Felt Like History In The Making — Leaving Fans On Their Feet, Hearts Racing, And Eyes Glued To The Icon Who Refuses To Age. Continue Watching To See What Happened Next…

Tom
 

DERMOT O’Leary and Tom Jones may be on rival talent shows, but they proved that it’s all about the music as they joined forces for the opening number of the National Television Awards.

The X Factor presenter and The Voice judge made sure the show kicked off in style, and performed with a live band for a rendition of jazz classic Got My Mojo Working by Muddy Waters.

 Dermot O'Leary showed off his voice opening the NTA's 

8
Dermot O’Leary showed off his voice opening the NTA’s

Dermot is the first to arrive on stage and prepares to sing, but before he does Tom Jones cuts in front of him and steals the microphone from him.

Tom then takes the lead as Dermot is relegated to back-up singer – but he can’t help but bust out the last few notes to prove he has hidden talents as a singer.

 Tom Jones then quickly took over the show

From the sounds of it though, while he managed to sing in key, it doesn’t look likely he’ll make the move from presenter to contestant anytime soon.

Dermot took to the stage for the eighth year as the host of the NTAs this evening – and made sure it was one no one would forget.

 The crooner showed the presenter how it was done as he seranaded the crowd

Ahead of the night’s festivities, he warned The Sun’s Dan Wootton about the opening number and said “In a manner of speaking it’s happening.

“I go out, I’m about to start singing and Tom Jones comes out and does a number.

 The pair then turned to each other for a song

“I’m s******g myself.

“It sounds good now when you’re being nice to me, but I don’t know how it’ll sound when I’m stood next to one of the country’s greatest-ever singers.”

“I’m s******g myself.

“It sounds good now when you’re being nice to me, but I don’t know how it’ll sound when I’m stood next to one of the country’s greatest-ever singers.”

 Dermot then let Tom Jones take over the show and he got sidelined to backing vocalist 

8
Dermot then let Tom Jones take over the show and he got sidelined to backing vocalist

He then added his boss Simon Cowell wasn’t so interested to hear his vocals, and said: “Simon’s tips are, ‘Why are you doing that? Don’t do it you’re just stupid…  blah blah blah’.”

However, he also revealed the thing he would be looking forward to most at the event – watching Phil and Holly on This Morning the next day.

 The duo were joined at the show by a jazz band to kick the show off in style
The duo were joined at the show by a jazz band to kick the show off in style

The daytime duo took to the sofa last year still drunk from the night before.

Speaking about the incident in an exclusive Facebook Live with The Sun’s Bizarre column, Dermot said: “These two are so naughty honestly. This one of the reasons why I wish I was at the NTAs rather than just hosting it—cause I’ve got to be a good boy on the night of the NTAs.

 Dermot seemed right at home as a back-up singer
Dermot seemed right at home as a back-up singer

“You finish the show and you’re playing eight hour catch up on everyone. These two [pointing at Holly and Phil] with Ant and Dec and their respective partners, are the worst.

“She literally doesn’t go home. They are brilliant, love them for that. Actually one of the best thing about the NTAs is waking up the next day to see what state these two are in on This Morning. Look at Phillip! He looks dead to the world.”

 Dermot then took back the reigns as he lead the evening's festivities
Dermot then took back the reigns as he lead the evening’s festivities

 

0 Shares:
Leave a Reply

Your email address will not be published. Required fields are marked *

You May Also Like
Steve Perry
Read More

“THE GRAMMY CROWD STOOD STILL WHEN HIS NAME WAS CALLED.” When Steve Perry’s name was announced at the 2025 Grammy Awards, something quiet happened in the room. Not cheers at first. A pause. Because everyone knew what that moment meant. With “Wings of Fire,” Steve Perry didn’t chase trends or volume. He stood still and sang the way he always has — straight from the chest. The kind of voice that carries years, losses, and patience. Nearly 50 years after Journey first changed rock radio, his voice still rises. Still holds. Still makes people stop what they’re doing and listen. Some artists fade. Some voices soften. His didn’t. It learned how to mean more.

There was no rush in the room when the winner was announced. Just a brief stillness. The kind…
Paul McCartney
Read More

Every Paul McCartney concert has its loud moments—but the quietest one is always the loudest. After the thunder of “Helter Skelter,” the lights dim and Paul McCartney walks to the piano. The crowd already knows what’s coming. When the first notes of Maybe I’m Amazed ring out, the stadium stops breathing. Written in 1970, the song has aged into something deeper: a lifelong conversation with Linda McCartney. As Paul sings, giant screens glow with Linda’s photographs—family moments, soft smiles, an ordinary love made eternal. He often says only, “I wrote this for Linda.” He doesn’t need more. His voice, still cracking on the high notes, carries everything he cannot say. In songs like “My Love” and throughout his time with Wings, Linda is never absent. She isn’t gone—just off-stage, living forever in the music. 👉 Read more reflections in the first comment.

PAUL McCARTNEY AND “MAYBE I’M AMAZED”: A CONVERSATION THAT NEVER ENDS For more than two decades on the…
Matteo Bocelli
Read More

“MATTEO BOCELLI DOESN’T TAKE CAREER ADVICE FROM HIS FATHER — AND WHAT HE SAID NEXT SHOCKED FANS!” Matteo Bocelli, son of legendary tenor Andrea Bocelli, just revealed something fans never expected: he doesn’t rely on his father for guidance in his music career. Instead, he’s forging his own path — and what he shared next completely changed how people view his journey. The revelation has sparked a flurry of reactions, with fans rethinking everything they thought they knew about Matteo’s rise in the classical and pop world.

Matteo Bocelli may carry one of the most famous last names in music, but the rising singer says…
paul
Read More

While many rock icons transformed private jets into symbols of excess and ego, Paul McCartney chose something far quieter — and far more lasting. A simple aircraft. No gold. No spectacle. Just a small, almost invisible handwritten line near the cabin door, written years ago for Linda McCartney, like a love note never meant to be found. 💖 It’s a gentle, deeply personal homage to the woman who anchored him through grief-filled songwriting, silent tours, losses, reunions, and countless late-night landings. Fans who learn of it are often stopped in their tracks by the same realization: even at 40,000 feet — long after fame had lost its meaning — rock’s greatest romantic wasn’t flying on luxury or pride, but on remembrance, devotion, and a promise he never let go of. 👉 WATCH BELOW 👇👇👇

Paul McCartney’s Private Jet Isn’t a Flying Palace — It’s a Quiet Love Letter Written at 40,000 Feet…
Anika Nilles
Read More

When Anika Nilles stepped onto the stage at the Meinl Drum Festival in 2015, the expectation was a technical showcase, but as “Solution”—written by Kaz Rodriguez—began, it became clear she was aiming for something more musical, allowing the groove to settle before gradually building tension, shaping each rhythmic idea with clarity and intention, keeping her movements relaxed while the sound stayed full and controlled, letting patterns return and evolve instead of colliding, using dynamics and space to give the performance a clear arc, avoiding speed for its own sake in favor of feel and balance, and ultimately turning what could have been a drum solo into a complete musical statement that viewers still revisit years later not to be overwhelmed, but to understand.

When Anika Nilles walked onto the stage at the Meinl Drum Festival in 2015, there was no sense of spectacle being forced.…